In Kirsty Logan’s new short work for Father's Day, Wilbur prepares to meet his dad for the very first time. But can he find the strength to face his fears?
Read by Jessica Hardwick
Producer Ellie Marsh
Kirsty Logan is an award winning novelist and short story writer. Her latest book, No & Other Love Stories, is a collection of dark love stories.
A BBC Audio Scotland Production for BBC Radio 4.
Amber claims she needs a place to store her bikes and she and her dad, Jim, are long overdue a bonding experience.
What better way to finally get to know him than to spend a few weekends together in her garden building a shed from scratch, the old-fashioned way? It doesn't matter that they've barely spoken in 34 years. As long as they follow the instructions, what could possibly go wrong? But as the generation gap becomes a seismic shift, Amber and Jim's bonding experience soon descends into a furious battle of wills - one that threatens to damage relations between them forever.
An epic family drama in miniature filled with twists and turns, as the source of the tensions in Amber and Jim's relationship is gradually revealed. Ultimately, both will learn a valuable lesson: that there's no instruction manual for parenthood.
AMBER...................................Sacha Parkinson
JIM..............................................Pearce Quigley
CHARLIE....................................Nico Mirallegro
SUNITA......................................Lauren Patel
NARRATOR/ KEITH..............Jonathan Keeble
Written by Paolo Chianta
Sound design by Sharon Hughes
Production Co-ordinator Pippa Day
Producer/ Director Lorna Newman
A BBC Studios Audio Production for Radio 4
Presented by Paul French
Drama written by Sarah Wooley
Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.
Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.
Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.
The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.
Shura saw it all; Shura lived through it all; Shura, in part, explains it all.
Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane Whittenshaw
Editing and sound design by Peter Ringrose.
Directed by Sasha Yevtushenko.
Presented by Paul French
Drama written by Sarah Wooley
Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.
Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.
Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.
The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.
Shura saw it all; Shura lived through it all; Shura, in part, explains it all.
Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane Whittenshaw
Editing and sound design by Peter Ringrose.
Directed by Sasha Yevtushenko.
Presented by Paul French
Drama written by Sarah Wooley
Whatever anyone declared categorically about Shura Giraldi, someone else insisted on the exact opposite. Shura was handsome and beautiful; Shura was kind and good, Shura was exploitative and evil. Shura was just another struggling White Russian refugee trying to get by in 1930s China; Shura was the heart and brains of a gang that ran clubs, sex workers, illicit booze and drugs, when not robbing banks and stealing gems to fence in Shanghai. Shura loved ballet and cabaret, creating the Shura Giraldi Dance Troupe that topped the bill at all the best Peking nightclubs.
Shura sometimes presented as male and sometimes as female. When passing as a man Shura bound his breasts tightly and wore a sharp tailored suit; when she was a woman she wore startlingly coloured robes, both Chinese-style cheongsam and Western dresses, letting her raven hair flow loose, said witnesses. Shura had added an incredibly massive layer of confusion and obfuscation to anyone looking by changing gender. Switching for anonymity, for commercial gain or criminal advantage, for love, for a whim.
Paul French is a historian and writer who focuses on China in the first half of the 20th century. He's been on Shura’s trail for 15 years, digging through the paper records and archives in half a dozen countries in an attempt to get to grips with the enigma that was Shura. This story, a product of that tireless research, is full of truths, but like an old jigsaw brought down from the attic after decades, there are many pieces missing. So we're using drama, written by Sarah Wooley, to conjure and join the dots of Shura’s story, and go in search of a lost life and a forgotten world.
The search will take us from a Russian far east in violent revolution, to the chaos of the mass emigration of the White Russians, to the crowded hutongs of Peking; from that city’s nightclubs and cabarets, to the casinos of Shanghai; from a China wracked by rampaging warlordism, invaded by Japan, and then fighting its own civil war that culminated in its own revolution.
Shura saw it all; Shura lived through it all; Shura, in part, explains it all.
Shura . . . . . Maggie Bain
Zaichek . . . . . Leo Wan
Roy . . . . . Daniel York Loh
Leopard . . . . . Chris Lew Kum Hoi
Tatiana . . . . . Charlotte East
Anton . . . . . Luke Nunn
Marie . . . . . Cecilia Appiah
Saxsen . . . . . Ian Dunnett Jnr
The MC . . . . . Roger Ringrose
Anna . . . . . Jane Whittenshaw
Editing and sound design by Peter Ringrose.
Directed by Sasha Yevtushenko.
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